Kevin Smith’s Cop Out was not treated kindly by critics, which led many to accuse Smith of simply taking the director gig for an easy payday. Recently, Smith addressed those accusations via his Twitter account. Hit the jump to learn why he took a pay cut to make Cop Out.
Smith tweets in non-stop, stream-of-consciousness, so I’ve aggregated his tweets here in chronological order for easy reading. The following tweets were taken from Smith’s Twitter account on January 1st and January 2nd, 2011. In them, Smith explains the extent of the pay cut he took to make Cop Out:
Via @doubleplusgeoff “you’d do a lot for your credibility if you’d just come right out & say that CopOut was a ‘gettin paid’ movie” I wish I could. But I actually took an 84% pay cut to make #CopOut – because I wanted to work with BruceWillis. Lots of us did. Tracy got paid more than me, but not much. I also gave BACK half my already-way-less salary to get the film green-lit: there was a budget crunch to get to the $35million the studio wanted, so Marc Platt & I each gave up half our salaries IN ADDITION to the big dip in our quotes we’d agreed to. When all was said & done, we came in way under budget. Final cost: $32mil – $3mil less than we were allotted. Contractually, WB didn’t have to give me the money I gave up until they were in the black, but since we came in under budget, they cut me a check for the re-investment I’d made BEFORE the flick hit theaters. And even then, I still made 80% less than I did on my previous flick. I made MORE as the director of DOGMA in 1998 than I did as the director of COP OUT in 2009/2010. So please: enough with the “you musta got PAID” bullshit. I didn’t. Both my agent & my lawyer were like “Don’t do this. You can get paid more making a Kevin Smith movie.”
Smith also sees the Cop Out as crucial to the making of Red State, a calculus which makes a certain amount of sense. He continues:
But I knew if I wanted to make RedState, I had to make CopOut. There were things I needed to learn, and I learned them – while making a financially responsible buddy cop homage for a major studio, from a script I didn’t write. I’m sorry you didn’t like CopOut; feel free to skip RedState if you feel betrayed in some way. But to suggest I did #CopOut for the money is ludicrous – as it was the least I’ve been paid to direct a film since 1998 – 11 years prior. CopOut may not fit into your KevinSmith narrative, but I know where my story goes – and it was the keystone to everything that RedState is.
Speaking of which, have you seen the trailer for Red State? It’s one of my favorite trailers of the year. If Cop Out is what Smith had to create to birth Red State, then I say more power to him.
Smith ended the discussion by delivering an important life lesson:
We don’t live in STAR WARS, kid. Motivations aren’t always as simple & clear as “The Empire is bad! Save the galaxy!” You may not understand why I do what I do, and that must frustrate you. But in a couple years, it’s all gonna make sense. And by the time it does, you won’t care anymore anyway. But at least I’ll have the record of this exchange; that and it’s one more question I won’t have to answer again. So thanks.
Now we have a record too. It’ll be interesting to see where Smith’s career is in a few years, and if it lives up to what he’s describing here.
Glenn Beck appeared on Judge Napolitano’s show Freedom Watch and they agreed that if the debt ceiling is raised then no lessons have been learned by the big spending Congress. Despite the warning of Austan Goolsbee, chairman of the White House Council of Economic Advisers, that not raising the ceiling would be “catastrophic” and “insanity,” both Beck and Napolitano seemed willing to accept such an “insane catastrophe” presumably because that’s the only thing that will scare our nation straight.
Beck, however, was a bit more cautious, elaborating:
The day they say we will not raise the debt ceiling, the rest of the world flees from America I believe . . . we owe that money . . . so that means we crash things, which I believe is inevitable, but I don’t think America is prepared for it.
Yet for Napolitano it’s an easy decision, “the debt ceiling should not be raised, it’s the President’s job to spend the money he collects.” Only then does Napolitano think the government will actually make the tough choices of cutting spending and would he be happy that “nobody will lend us money in the future and we will have to stick within our means.” At first Beck seemed hesitant to recommend such a radical proposal, yet by the end he seemed convinced and said it would be “the beginning of the end of the Republicans” if they agreed to raise the ceiling.
As intelligently noted at Hot Air, defaulting on one’s debts is not exactly “fiscally conservative,” not to mention the wisdom of following this advice is doubtful given that a Republican-induced economic collapse would likely be more painful for the future of the Republican party than would making compromises to raise the ceiling in return for serious spending cuts. Yet the luxury of being a television host like Beck and Napolitano is that their primary concern is not what is politically best for Republicans. Cynics might argue they are only concerned with saying extreme things to pump up their own ratings, but what seems more likely is that they have the benefit of being able to say what they truly think is best for the country without needing to fear any of the real-world consequences. Either way, the one thing Republican leaders should take away from this exchange is that if they don’t fight hard during the debt ceiling debate they will have at least two Fox hosts who are not going to be happy.
(h/t Hot Air)
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